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The Dissolve

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Robot Jox
Thrashin’

by Noel Murray

Nostalgia for the earnestness and moral clarity of ’80s genre movies accounts for the Blu-ray release of two mild exploitation movies, one a proto-Transformers about robots and the other featuring a skateboarding Josh Brolin. 

  • The fifth entry in the increasingly convoluted Terminator series gets some mileage out of Arnold Schwarzenegger’s turn as an aging T-800, but the franchise has exhausted its creative energy.

    Terminator Genisys

    by Keith Phipps
  • In Jennifer Phang’s ambitious, visually impressive science fiction feature, terrorist explosions are an everyday occurrence and a cratered economy has drastically turned back the clock on women in the workplace and society at large. 

    Advantageous

    by Mike D'Angelo
  • A long-awaited third sequel to Jurassic Park attempts new twists on some old thrills.

    Jurassic World

    by Keith Phipps
  • Brad Bird’s first directorial failure comes with a big, bright moral—and so many sloppy narrative choices and unanswered questions that it’s impossible to focus on the wonder.

    Tomorrowland

    by Tasha Robinson
  • An action film starring Mickey Rourke and Don Johnson attempted to define the state of cool for 1991. It didn’t.

    Harley Davidson And The Marlboro Man

    by Scott Tobias
  • Director George Miller returns to his post-apocalyptic series for the first time since 1985’s Mad Max Beyond Thunderdome, setting a new standard for action while addressing tough philosophical questions. 

    Mad Max: Fury Road

    by Keith Phipps
  • A few years after collaborating with Steven Spielberg on Poltergeist, Tobe Hooper remade William Cameron Menzies’ 1953 science-fiction/horror classic as a dark, subversive counter-narrative to Spielberg’s suburbia. 

    Invaders From Mars

    by Noel Murray
  • The writer behind three Danny Boyle films—via the novel The Beach, and the scripts for 28 Days Later and Sunshine—strikes out on his own with an intelligent, rigorous science fiction about artificial intelligence. 

    Ex Machina

    by Tasha Robinson
  • The latest attempt at brainy indie science fiction follows a geneticist who creates an off-the-books clone of himself and tries to train it to assume the duties of his present life. 

    The Reconstruction Of William Zero

    by Noel Murray
  • This Italian Mad Max knock-off isn’t well-regarded, but it’s fascinating for the way it locks down what producers thought would play to science-fiction fans of its era.

    Exterminators Of The Year 3000

    by Noel Murray
  • The latest from District 9 writer-director Neill Blomkamp struggles with big questions about morality, mortality, and identity, but can’t escape its need to keep moving and yelling.

    Chappie

    by Tasha Robinson
  • Pontypool writer Tony Burgess tries to find a new twist on the alien-invasion thriller.

    Ejecta

    by Scott Tobias
  • In this mediocre found-footage science-fiction feature, a group of teenagers build a time machine. But like many time travelers before them, they discover that meddling with the past has serious consequences.

    Project Almanac

    by Keith Phipps
  • Jabbar Raisani’s found-footage science fiction about a unified Earth military fighting off armored two-legged extraterrestrials is more a showreel for low-budget effects than a coherent narrative vision. 

    Alien Outpost

    by Andrew Lapin
  • Xavier Dolan’s latest film lets him look back on his previous work via the story of an intense mother and her unmanageable son.

    Mommy

    by Scott Tobias
  • Bruce Willis snores through another forgettable home-video programmer, this one a Philip K. Dick knock-off about the impresario behind a sordid fantasy palace where the sex workers are human-like androids. 

    Vice

    by Nathan Rabin
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