A provocative film goes to extremes—conceptual and otherwise—as it examines rape and revenge.

Three sisters gather in their childhood home after their mother disappears into the adjoining lake in Sarah Adina Smith’s found-footage horror/thriller, which walks the fine line between unsettling and aimless. 

Appearing nearly simultaneously with his second film, The Overnight, Patrick Brice’s debut teams him up with Mark Duplass for some low-budget scares.

The idea of a Joe Dante zombie romance sounds like cinephile heaven, but this horror-comedy about a bad girlfriend who hectors a dude from beyond the grave is unfunny, sexist, and out of character. 

A vampire film set in the hinterlands of Canada takes an unconventional, strangely sleepy approach to the genre.

Till Kleinert’s demented, fairy-tale-esque suspense feature has a repressed cop chasing a crazy, katana-wielding psychopath around the German woods… or possibly something entirely different is going on.

Taking over directing duties from longtime collaborator James Wan, writer-director Leigh Whannell capably continues the Insidious franchise with this effectively chilling prequel set before the hauntings of the first two movies. 

The new documentary from the director of the Shining crackpot-theory exploration Room 237 takes a similarly moderator-free look at the terrors of sleep paralysis.

Gil Kenan’s faithful rehash of Tobe Hooper and Steven Spielberg’s 1982 family-friendly horror smash about a haunted house in the suburbs is inferior in every respect.

After seemingly hitting bottom with its disgusting second entry, the series just keeps tunneling down with its third.

One of the prolific cult director’s best-known features—thanks in part to a groovy soundtrack—gets a deluxe treatment on Blu-ray.

Arnold Schwarzenegger and Abigail Breslin star in a zombie film that brushes against the perceived boundaries of both the zombie genre and its star.

An innovative yet familiar horror experiment looks just beneath the surface of today’s technology and discovers a place crawling with terrors all its own.

A few years after collaborating with Steven Spielberg on Poltergeist, Tobe Hooper remade William Cameron Menzies’ 1953 science-fiction/horror classic as a dark, subversive counter-narrative to Spielberg’s suburbia. 

Ryan Gosling’s directorial debut establishes him a director of many strong influences, but not quite enough vision.

For the first 70 minutes, Adam MacDonald’s feature directing debut is a keenly observed relationship study about a fractious couple spending time in the woods. Then a bear shows up. 

A thoughtful second feature from the team behind Resolution uses the supernatural to explore intimate themes.

The fright runs deep in a symbolically rich new horror film from the director of The Myth Of The American Sleepover.

Blaxploitation got its own vampire in a pair of films starring Shakespearean actor William Marshall.

Blaxploitation got its own vampire in a pair of films starring Shakespearean actor William Marshall.