Each week, The Dissolve designates a Movie Of The Week for staffers and readers to watch and discuss together. Feel free to pitch in or suggest your own discussion points.
by Scott Tobias
A Movie Of The Week month devoted to the theme of man vs. nature kicks off with a look at Werner Herzog’s stunning examination of self-proclaimed bear expert Timothy Treadwell.
As Hong Kong directors like John Woo, Tsui Hark, and Ringo Lam made their way to Hollywood in the 1990s one star helped them get there: Jean-Claude Van Damme. The weird thing: It kind of worked.
A conversation about The Killer covers its auspicious arrival in America, its lasting legacy, and whether or not John Woo lays on the melodrama thickly.
From The Virgin Suicides through The Bling Ring, Coppola turns up the volume even when her characters can’t express themselves.
The conversation around Sofia Coppola’s debut continues with a discussion of death, nostalgia, and teenagers.
Aliens’ Colonial Marines are a memorable group, thanks to a combination of smart writing and the efforts of a cast that went through hell together.
The Aliens discussion continues with a conversation about why it still works so well, and the legacy of a film that still seems ahead of its time.
With the assistance of music supervisor Richard Baskin and a cast of singers, Robert Altman assembled a collection of songs that would reflect a turning point for post-Vietnam America.
The Movie Of The Week conversation continues with a discussion of White Men Can’t Jump’s very ’90s racial politics and a consideration of where its characters might be today.
Two writers continue the conversation by looking at Monte Hellman’s subversion, the problematic character of The Girl, and the modern fate of the gearhead movie.
What makes James Foley’s shrewd adaptation of David Mamet’s Pulitzer-winning play a “Cadillac”? Two writers hash it out.