Nolan’s bloated, brilliant final Batman film brings an epic series to a messy but satisfying close.
A handsome, mournful crime thriller from 2009 ranks suprisingly high on the list.
The comic 1998 crime movie marked Guy Ritchie's breakthrough. Years later, even that debut doesn’t look so hot.
Vittorio De Sica’s 1948 classic has served as the textbook example of Italian neorealism for decades. But its ability to move stretches beyond the classroom.
After 20 years of avoiding it, our critic finally swallows his hatred of Gibson and sees the No. 81 film on the IMDb 250.
Quentin Tarantino’s 2012 film uses slavery as fodder for an exhilirating revenge story.
Her performance as Princess Ann made an indelible impression on the general public.
It’s a tragedy, littered with fiendishly funny moments.
The Goodfellas-esque film is no Goodfellas.