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The Dissolve

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2660days Tribeca 10

Laura Bispuri on the complicated gender identities of Sworn Virgin

The film, based on Elvira Dones’ novel, tracks an Albanian girl into male identity, and out the other side.

by Tasha Robinson
  • Frozen River DP Reed Morano on making audiences “feel everything” with her directorial debut

    2661days Tribeca 10

    Frozen River DP Reed Morano on making audiences “feel everything” with her directorial debut

    Meadowland stars Olivia Wilde and Luke Wilson in a story about grieving parents dealing with a missing child in very different ways.

    by Tasha Robinson
  • 2662days Tribeca 10

    Gregory Kohn on getting at the truth behind drugs in Come Down Molly

    The writer-director’s second film addresses psychedelics with an unmistakable but understated pro-tripping stance.

    by Tasha Robinson
  • 2665days Tribeca 10

    Benni Diez on Stung’s tender romance and messy giant mutant wasps

    Diez describes his directorial debut as “Garden State vs. Aliens.” And that's exactly what’s on the screen, too.

    by Tasha Robinson
  • 2666days Tribeca 10

    Lynn True and Nelson Walker on co-directing Albert Maysles’ final documentary, In Transit

    The two partners on previous doc work were among the team that criss-crossed the nation, interviewing people traveling on trains—or just observing them in their unnatural habitat.

    by Tasha Robinson
  • 2667days Tribeca 10

    Sibs Shongwe-La Mer on the real emotions and made-up slang of Necktie Youth

    This crowded debut feature feels like a tense South African version of Slacker, with Mer’s camera tracking a variety of young people through the affluent Johannesburg suburbs.

    by Tasha Robinson
  • 2668days Tribeca 10

    Stephen Fingleton on his feature-length writing-directing debut, The Survivalist

    The film, which premiered Thursday at Tribeca, follows Martin McCann as a paranoid loner eking out a solitary living in the woods after Armageddon.

    by Tasha Robinson
  • 2669days Tribeca 10

    Democrats director Camilla Nielsson on how her nervy doc ducked censorship in dictator-ruled Zimbabwe

    The film had its North American premiére Thursday at the Tribeca Film Festival. This is the first in a series of short-take interviews from the fest.

    by Tasha Robinson
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